Cultivating Prestige: How Haider Ackermann Is Turning Tom Ford Into An Institution
Prestige is an elusive formula of desire, discipline and perception. Tom Ford’s Haider Ackermann is turning that formula into a world of its own.
Prestige is an elusive formula of desire, discipline and perception. Tom Ford’s Haider Ackermann is turning that formula into a world of its own.
Marni used to be the pinnacle of quirky, turning strangeness into the effortlessly beautiful. Meryll Rogge seems more concerned with turning the slightly unconventional into the perfectly respectable. How brave.
Sean McGirr delivers another empty McQueen simulacrum: immaculate tailoring, exquisite craftsmanship and a parade of familiar McQueen-isms; but devoid of the intellectual bite that made them worth a damn in the first place.
NYFW may finally be showing signs of life again. Spring/Summer 2027 gave New York genuine design voices worth believing in, even as derivative work reminded us how far the city still has to go before it stops looking for Europe for validation.
A new designer, an old problem, and a New York brand quickly becoming redundant.
Tiny waists. Rubber bodices. Light-up torsos. Daniel Roseberry’s Schiaparelli is an extravagant camp spectacle.
Craftsmanship has nothing to do with it.
Am I the only one who feels cliche doing this in 2026? Who even needs another anonymous online opinion on fashion? Another season, another fashion week where half of us pretend to like it while the other half pretends to afford it. But here’s the thing: when the established names that used to be the…